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The Story Sisters

A Novel

Audiobook
1 of 1 copy available
1 of 1 copy available
The Story Sisters charts the lives of three sisters–Elv, Claire, and Meg. Each has a fate she must meet alone. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart’s desire, and a demon who will not let go.
What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others? How deep can love go, and how far can it take you?
At once a coming-of-age tale, a family saga, and a love story of erotic longing, The Story Sisters sifts through the miraculous and the mundane as the girls become women and their choices haunt them, change them and, finally, redeem them.
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    • AudioFile Magazine
      Tragic and ethereal, THE STORY SISTERS charts the fates of three close sisters--dominated by charismatic Elv--and their imaginary fairy kingdom, Arnelle. As Hoffman's dark, lyrical story reflects the sisters' rapidly shifting power, they even communicate a bit in Arnish, a Celtic-like language they invented. Nancy Travis's Arnish pronunciation is impressive, and she envelopes Hoffman's novel with clarity, compassion, and focus. But she lacks a youthful lightness in her vocal tone, which would more aptly depict the sisters' sense of wonder and earnestness. Something is lost as Hoffman's transcendent, whimsical prose moves from the page to the reading. Travis's strong, mature timbre is too deep, mortal, and grounded for Hoffman's celestial tangents. A.W. (c) AudioFile 2009, Portland, Maine
    • Publisher's Weekly

      March 30, 2009
      Lyrical but atypically monotonous, bestseller Hoffman's (The Third Angel
      ) latest follows the dark family saga of Elv, Megan and Claire Story, sisters plagued by uncommon sadness. As a child, Elv spun fairy tales of a magical world for her sisters, but a period of savage sexual abuse—information about which slowly leaks out—sends her spiraling into years of drug addiction and painful self-abuse. Elv's story is unrelentingly grim, and without Hoffman's characteristic magic realism, its simple downward spiral becomes exhausting. Tragedy after tragedy befalls the family—Elv's commitment to a juvenile rehab facility, a deadly accident, a fatal illness and betrayal after betrayal. When the last third of the book turns to focus on Claire, who has been so damaged by the family crises that she refuses to speak, the slight glimmers of hope and goodness are too little, too late. Hoffman's prose is as lovely as ever: the imagined and real worlds of the Story sisters are rich and clear, but Elv's troubles and the Story family's nonstop catastrophes are wearying.

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  • English

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